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I remember ABC promoting JJ Abrams new show. About a plane crash on an island. It seemed like an odd premise, like a dramatic Gilligan’s Island or less scripted Survivor. But I watched it, and was hooked. Never once did my belief in the show falter. I played the ARGs, I watched the shows and mused about where it was all headed. I acknowledged that some seasons weren’t as interesting as the others (sorry Tailies, I really could have cared less about you, except that it meant we got Mr. Eko, Bernard and Libby).

But all through it, there was an interesting story. For all the polar bears, smoke monster and Dharma stations, it was the story about the people. How the Island changed them, and how they grew closer and further apart. They were real people, who reminded me of people that I’ve met in the real world. The snarky guy who uses humor to keep people at arm’s length. The cuddly big buy with the heart of gold. The sneaky weasel who’s in it only for himself. And the eternal optimist, who believes that everything has a meaning.

And I cared. I cried when Boone died on Jack’s makeshift operating table. I cried when Shannon died in Sayid’s arms, and when Charlie drowned in the hopes that it would save Claire. It hurt to see Locke so shaken in his faith in the Island. (Though I admit, I laughed with Nikki and Paolo’s death. I didn’t like them, but temporary paralysis and them being buried alive? That was harsh)

As the final season progressed, I reminded myself not to try to expect answers. The producers were pretty clear about saying that the show wasn’t about the mythology, but that we’d get some answers.

So what did I think? Non-spoiler review: I liked it. Just as the producers had said, the show wasn’t about the mythology at all. It took place on this mysterious island, but it was ultimately about the people. I thought that they found a very smart and yes, sentimental way to conclude the show, and didn’t feel shortchanged in the answer department.

Spoilers behind the cut.

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Originally published at Whitney Drake. You can comment here or there.

thesilversiren: (tv)
When my parents finally got cable when I was in high school, my favorite network was Bravo. They showed operas and Broadway shows on the weekend! I admit, I didn’t always watch the operas (though a someone who was learning opera, I probably should have), but I watched all the musicals. Sunday in the Park With George, Sweeney Todd, Into the Woods… I watched them all. Over the summers, my mom, my sister and I watched Twin Peaks! We enjoyed every bizarre episode, even in the last part of the series when things took a turn for the ‘let’s wrap this up.’ (I’m still mad about how it ended)

In college, I watched lots of Queer Eye. Then I got hooked on Top Chef and Project Runway… and then, Real Housewives of Orange County started. I watched from curiosity- after all, I worked in Southern Orange County… the Orange County Barbies were everywhere when I ran errands or went to lunch. And still, it bored me. Out of their antics, I simply saw women who craved attention- and money that they could say wasn’t their husbands. Then it moved to New York, then Atlanta, New Jersey… and while I was looking forward to Beverly Hills (where over the top is the norm), they announced that Michelle Salahi would be joining the cast of Real Housewives of Washington DC.

That’s right. The woman who was so attention hungry that she lied about being a Redskin’s cheerleader to con her way into alumni routines, and then crashed a White House state dinner… she’s going to be on television.

So Bravo, it’s forced me to wonder what I have to do. The level of sophistication of your shows has been dropping steadily over the last decade. I mean, even with Top Chef and Project Runway, I still had to put up with the crassness of My Life on the D-List and Flipping Out. But I think this is the last straw. Just because someone’s starved for attention doesn’t mean we have to give it to them. I might just have to sacrifice Top Chef (and Top Chef Masters) because of who you think your viewers are these days.

Originally published at The Fabulous Whitney Drake

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July 2011

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